If you have difficulty registering for an account on the forum please email firstname.lastname@example.org. In the question regarding the composer use just the surname, not including forenames Charles-Marie.
0 Members and 1 Guest are viewing this topic.
Is the conscious error check and or reality check mechanism the same when we are awake as when we are dreaming?Best wishesDavid P
Hi! I'm sure that this repetition of line of thought is helpful and I'm sure that play-acting re-enacting acts of violence with computer games or bang-bang-bang toy guns desensitises the subject to the realities of what those objects and actions do, enabling them to do such things all the more easily in real life. There are things in fantasy random thought land that occur in our brains which are constantly ruled out by the error checks or reality checks or sanity checks applying cause and effect to predict what the results will be. But once those processes are broken down by the neurons having followed similar paths before with computer realities or pointing a toy gun at a person and imitating a shooting noise, the error checks and reality checks can be all too slow to kick in.Best wishesDavid P
No - just as the data that is contained in a computer memory/hard drive is often of more value than the machine itself (and the machine is useless without an operating system and application programmes), so the human being is more than just the amalgam of chemicals and water that chemically constitute the body. The key "ingredient" being that intangible soul, which I think is God-given, and imparted at the moment of conception, plus the ever-growing contents of our brains - which unlike computer data, isn't to easy to transfer en mass to another storage medium
It is essential to outline the boundaries to our investigation by excluding all reflections of the oligarchical principle in the human experience. In the effort to cattle most of the human race into submission for easier control by the few, oligarchic escorts from Bertrand Russell to Adam Smith to the Delphic Cult of Apollo have repackaged the same methods of mind control in the past, and most people have fallen for it, again and again. The model is earliest known to Aeschylus as a design to bring mankind away from his inherent Promethean fire: a design to brainwash mankind that he and she are only sensuous beasts and can be pleased only by sensuous pleasures and entertainments, and thus convincing them that they have no creative mind and therefore no business fighting against the supreme will of the gods of mount wall-street or wherever, who control “the way the world works.” 3 It is true that such evil people do exist, but the tragedy of humanity to this day, is that we have accepted this self-induced slavery. Therefore, excluding such means of control foisted upon modern society by the Congress for Cultural Freedom (CCF) and the Tavistock Institute, we can neatly put aside such experiences as drugs, pop-music, video games, loveless sex, television and movies, from our current examination.
In the midst of singing, or using an instrument of some kind among the very best artists and performers there is often described an “out of body” like experience. Among them, only those artists who have struggled predominantly to re-animate the classical compositions of the greatest minds such as Bach, Mozart, Schubert, Beethoven, Schumann, Verdi, et. al. are capable of describing in the richest metaphors, the phenomenon they subjectively experience within their participation with such composers and attentive audiences.