QuoteIncidentally, we also have to persuade the organ anoracs to tear themselves away from their computer organ simulations. All computer organ simulations have to be in some ways organs on steroids, or they would not be attractive enough to invest in. Whether it be the Hill at Hove, the Walker at Lindfield or the Holdich at Charlwood, or the Grant Degens and Bradbeer at Ardingly, were computer simulations to sound like that, we'd say the instruments were under powered and we wouldn't buy the software and samplesets to play them. Only hearing the real thing once in a while, in a real acoustic, can bring us back down to earth in reminding us what organs should really be sounding like. It's SO important to go to live concerts!
Hi!
Considering this further, I wonder whether one might contemplate this from a different angle. . . Perhaps what I should be saying is that in experiencing organ simulations in our front living rooms, as I'm told that many people do nowadays, we're likely to be tempted to be setting up the installation as an organ with mono-sodium-glutamate as we would like it to sound, rather than as the real thing sounds in its real place.
It's for that reason that attending live concerts is so very important.
Accordingly in setting up an electronic reproduction of any sort of organ, one should be starting out with the concept that one wishes to achieve.
One of the very special concert experiences one can enjoy is that of organ recitals at St George's Windsor http://www.stgeorges-windsor.org/worship-and-music/diary/concerts.html when one can have one of a dozen or so special seats upon the cancel screen next to the console and between the two organ cases. One has the direct sound of the detail of the instrument at close quarters with the acoustic of the building in the background - a prime combination for the real experience of the music. It's this approach that I have followed for the Hammerwood concert instrument, taking the basic starting point from the experience of the Open Diapason of the pipe organ in the same space. I hope that in providing such a concert facility, audiences will be keener to go to experience pipe organs in their natural habitats.
Best wishes
David P